servport.blogg.se - Fender subsonic stratocaster

#Fender subsonic stratocaster full#
#Fender subsonic stratocaster free#
#Fender subsonic stratocaster crack#

#Fender subsonic stratocaster crack#

Metal File - placed over neck pick-up for Thurston's plinky guitar part on "Small Flowers Crack Concrete".Hammer - used to pound strings on " Heather Angel".Slide - While Lee has used a slide for melodic purposes before, Thurston's slide use is typically for random noise effects, as on " 100%", " Youth Against Fascism", " Female Mechanic Now On Duty", " Inhuman" (bass), and with a slightly more calculated use on "Catholic Block"." Eric's Trip" utilizes a drumstick in a slide fashion up and down the neck.

#Fender subsonic stratocaster free#

" She Is Not Alone" and " Free City Rhymes" require a drumstick under the strings near the pickups, for plinky arpeggiations. " I Love Her All The Time" features the same, with the sticks continuously rubbed together to provide a droning feedback soundscape. Some examples : " Burning Spear" features a drumstick under the strings at the 12th fret, repeatedly struck with a second stick.

Drumstick - The classic Sonic tool, sometimes used purely for noise, sometimes used to form a whole song.

Songs include " The Good and the Bad", " I Wanna Be Yr Dog", " Shaking Hell", " Inhuman", " Making the Nature Scene", " Beauty Lies in the Eye", " My Friend Goo", the DNA cover " Blonde Redhead", and most recently " Rats".

Bass - Thurston often played bass on SY's earlier songs, switching off with Kim on guitar (though sometimes she'd just sing).

No pedals for "NYC Ghosts & Flowers" LP.

Mu-Tron Octave Divider (not in tour rig).

Fender Twin Reverb (for Panasonic tape deck/radio + contact mic thru gain pedal).

Peavey Roadmaster head (Vintage Tube Series) w/ Marshall JCM 900 4x12 cab.

#Fender subsonic stratocaster full#

Fender Twin Reverb (for ALL TOMORROW'S PARTIES - band didn't want to bring their full amp rigs across the country for one gig).Peavey Roadmaster head (2) w/ Marshall 4x12 cab.2nd Roadmaster + Marshall cab onstage for "My First Sony".160-watt Peavey Roadmaster w/ 60s Marshall 4x12 cab on bottom.160-watt Peavey Roadmaster w/60s Marshall 4x12 cab on bottom.

Double Bitch Peavey Roadmaster w/ no-name 4x12 cab.He is also a songwriter, writer and journalist.(all gtrs in italics were stolen all gtrs in bold italics were found or replaced) Phone them at: 48, FAX at: 48 or visit: Billy Cioffi is a Rock and Roll guitarist who has played with manyĪcts from the Fifties, Sixties and Seventies in all fifty states and on five continents. For much more about this new earth-shaker, contact Fender Musical Instruments at 7975 N. Color options include three-color Sunburst (add $50) Black Hot Rod Red and Aqua Marine Metallic. With black Tolex Fender case, the Sub-Sonic sells for $1,400 MSRP. Controls consist of: volume control, one tone knob for the neck and middle pickup and one no-load tone for the bridge. There are a single, DH-1 humbucking pickup and two Vintage Noiseless single-coils. Deluxe cast/sealed machine heads are fitted to an oversized traditional Strat headstock. The neck, made of maple, is available with either a maple or rosewood fingerboard, dot inlays and 22 medium-jumbo frets. Manufactured in "Fenderland", in Corona California USA, the Sub-Sonic has an alder body in the shape of the classic Strat and comes with a hard-tail bridge. Power chords will sound like earthquakes and you gotta wonder about the health of low cost stereo speakers in an air-guitar player's bedroom! Country players and studio musicians will love this instrument for it's ability to lay down throbbing single note lines and phrases that usually require arcane tunings. You're basically good to go from the get. With a neck scale of 27 inches (traditional Strat's are 25.5 inches) this ax has to be big! Now add a B tuning of B-E-A-D-F#-B and you'll have a range most associated with 7 string guitars but forget scratching your head trying to figure out new positions, inversions or strange chord shapes. Fender, innovative as always, has now split the difference and come up with a whole new thang, the Sub-Sonic Stratocaster! In country music, a staple in the studio has been the baritone guitar or Fender's original six-string bass. Stevie Ray Vaughn tuned a half step down to E flat giving his strings greater "play".making his vibrato wider and creating a ballsy and more consistent sound, particularly in the first positions. There is an old saying in Rock and Roll: "The Twang's The Thang." I believe it goes back to those early Duane Eddy records with that low-down, earthy tone that sustains yet clearly defines the melody line or "lick." In classic rock and roll from Jimi Hendrix to Jimmy Page to Stevie Ray to Eddie Van Halen.all the greats got a twangy and big beefy wall of sound by tuning their guitars down below normal.